BEGIN:VCALENDAR
VERSION:2.0
METHOD:PUBLISH
CALSCALE:GREGORIAN
PRODID:-//WordPress - MECv7.29.0//EN
X-ORIGINAL-URL:https://orientalceramicsociety.org.uk/
X-WR-CALNAME:The Oriental Ceramic Society
X-WR-CALDESC:The leading international society for the study and appreciation of Asian art, with a special focus on ceramics.
X-WR-TIMEZONE:Europe/London
BEGIN:VTIMEZONE
TZID:Europe/London
X-LIC-LOCATION:Europe/London
BEGIN:DAYLIGHT
TZOFFSETFROM:+0000
TZOFFSETTO:+0100
TZNAME:BST
DTSTART:20260329T020000
RRULE:FREQ=YEARLY;BYMONTH=03;BYDAY=-1SU
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0100
TZOFFSETTO:+0000
TZNAME:GMT
DTSTART:20261025T010000
RRULE:FREQ=YEARLY;BYMONTH=10;BYDAY=4SU
END:STANDARD
END:VTIMEZONE
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-PUBLISHED-TTL:PT1H
X-MS-OLK-FORCEINSPECTOROPEN:TRUE
BEGIN:VEVENT
CLASS:PUBLIC
UID:MEC-ce8a03e91cf36367aaddc92947649a85@orientalceramicsociety.org.uk
DTSTART;TZID=Europe/London:20260210T181500
DTEND;TZID=Europe/London:20260210T191500
DTSTAMP:20251125T121145Z
CREATED:20251125
LAST-MODIFIED:20260203
PRIORITY:5
SEQUENCE:33
TRANSP:OPAQUE
SUMMARY:The Subversive Art of Portraiture in Seventeenth Century China
DESCRIPTION:The 2026 Annual Sonia Lightfoot Memorial Lecture on Paintings\nSpeaker: Dr Mariana Zegianini\nTraditionally created to commemorate the life of a human being after their death, portraiture in China has been considered at best a minor artistic genre by both early modern and contemporary art scholarship. As a result, until very recently portraits from China have rarely been the focus of sustained and detailed analysis, and have usually been incorporated in long durée historical framings such as ‘portraiture of the Ming-Qing dynasties’.\nThis lecture in contrast focuses on a small group of portraits and self-portraits of living persons created in the seventeenth century. Painted during a period that witnessed, on the one hand, extreme low temperatures, famines, the suicide of an emperor and the collapse of a dynasty and, on the other, sophisticated art making, the globalisation of commerce, increasing conspicuous consumption, and the establishment of a new dynasty, this lecture argues that some of the artists living during this period turned to portraiture to voice dissent and express their discontent, transforming portraiture into an a subversive art.\nThis lecture is sponsored by John Lightfoot with additional support from Woolley & Wallis.\nMembers do not need to book to attend this lecture.\n5:30 pm – Society of Antiquaries opens for members’ refreshments\n6:15 pm – Lecture begins\nVenue Accessibility Information\nThe Society of Antiquaries welcomes wheelchairs and mobility vehicles however since the main entrance consists of steps they will provide a ramp. Essential companions are also welcome and Hearing Loops are built into the Lecture Room AV system. There are no designated disabled toilets but toilets are located on the ground floor.\nFor more information visit Accessibility ( https://www.sal.org.uk/global/accessibility/ ).\nFor all other accessibility enquires contact info@orientalceramicsociety.org.uk\nImage: Xiang Shengmo 項聖謨 (1597-1658). Portrait at Fifty 自畫五十歲小像, 1646. Hanging scroll; ink and colours on paper; 34.3 x 28.3 cm. MFA Boston. Gift of the Wan-go H. C. Weng Collection and the Weng family, in honour of Weng Tonghe.\n
URL:https://orientalceramicsociety.org.uk/events/december-lecture-298-873
ORGANIZER;CN=OCS Secretary:MAILTO:info@orientalceramicsociety.org.uk
CATEGORIES:Lectures
LOCATION:Burlington House, Piccadilly, London W1J 0BE
ATTACH;FMTTYPE=image/jpeg:https://orientalceramicsociety.org.uk/wp-content/uploads/xiangshengo50003_landscape-Mariana-Zegianini-1.jpg
END:VEVENT
END:VCALENDAR
